http://genius.com/Marshall-davis-jones-touchscreen-annotated
I found that the reading “Slammin’ School” brought the light
the importance of poetry as a means for students to take pleasure in language
allowing them to tell their own story of an event, topic, or issue in society
that matters to them. Slam or spoken word poetry allows for more than self-discovery
as in the case of “touchscreen” where it allows for shared discovery. In this
sense Slam plays the role of an awareness beacon which brings to light issues
that may have otherwise been unspoken.
In the reading they discuss the role of Slam and its
connection to the theme of power. It gives a voiced to the marginalized and
allows them to “transcend the prisons that contain them”. The spoken word piece
by Marshall Davis Jones challenges the power and dominance of technology in
society as an alienating force. Although the reading states that there is no
high or low level slam, there is a distinction between “educated” and “street”
style slam. “Touchscreen” would be an example of an educated piece of poetry as
it makes intelligent reference to history while creating strong and powerful
images in the listeners mind.
The spoken word piece “Touchscreen” speaks to me because it
captures the social disconnect that is growing in our day. The highest levels
of depression and isolation exist in the developed world and the status quo
continually presses for technological growth as a positive force in society
however I feel that the poet breaks this accepted belief. The problem comes
down to the improper and obsessive use of technology by individuals.
Using slam in English or History would allow students to
evaluate society from their own understandings. It would allow them a “free
voice” to evaluate and assess themselves and their identity in terms of the
“system” that controls/directs/determines their lives. It would also provide
them the opportunity to freely voice their interests or concerns regarding any
topic they chose. By writing they would ultimately separate themselves from the
forces that “determine” them. Writing allows them to establish and develop
their a more profound sense of self.
The major dilemma with this type of writing strategy is the
ability to fairly assess it. The reading “slammin’ schools” discussed the use
of journals as an effective means to evaluate student writing, however the
products need to be assess also. To do so, a distinction between the various
poetic genres need to be set in order to assess based on content and form in a
proportionate manner to their weight in the chosen style (be it spoken word,
slam, poetry). Furthermore, in a specific content area (i.e. History), the
assessment criteria is given more weight and value for the content becomes a criteria
for evaluation. It was suggested in the reading that a search for keywords
learnt in the lesson as well as explanations of these in the poem would be one
way to judge a student’s apprehension of the subject matter of the unit.
Following our table discussion, the importance
of slam as a tool for building confidence through self-expression was
reiterated by the group. We discussed the advantages and disadvantages of
incorporating slam as a means for developing student writing. In general we
discussed the difficulty of establishing effective pedagogy. Although it was
agreed that the use of mentor texts and proper exemplars would be pertinent,
what level of text should be used? complex or simple texts? Texts that expose “educated”
or “street” styles of slam writing? The importance of scaffolding was
emphasized as a way that the teacher can assist. Using spoken word (loose
structure favouring content) the various elements of higher structured texts
can then be taught (Slam, prose, poetry, classical poetry). Poetry is an effective tool for writing across
the curriculum as it allows students to learn new vocabulary, develop their own
voice and confidence (performance), while learning about rhythm, rhyming, and
literary style; however in subjects other than English, its application is more
sensitive.
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